In the post production process, we needed to composite the creature into each shot. This also involved the use of lighting and shadow to blend the creature in with the rest of the scene. We were each given some shots to composite, based on the blockouts of the scene and the lighting that had been set up by Matt.
The shots that I was given were, shot 6; which is where the creature emerges from the manhole, and shot 19; in which the creature chases Richard around a corner.
The first that I will talk through is shot 6. Here is the original video.
And here is a screenshot of the animation in Maya that I had to integrate into this scene.